tag:blogger.com,1999:blog-17649128.post114973507708911649..comments2023-10-17T08:01:00.374-05:00Comments on KJ - One Hundred Objects: Abstract How-ToUnknownnoreply@blogger.comBlogger3125tag:blogger.com,1999:blog-17649128.post-1149839038108951122006-06-09T02:43:00.000-05:002006-06-09T02:43:00.000-05:00I'm all for putting the further information in a p...I'm all for putting the further information in a place where it doesn't intrude on the view of the piece itself. Some people prefer to work their reactions out with the work alone. And yes, titles can help or hinder - but hey, folks just have to learn to be open and take in the experience - confusing, obfuscatory, or blissfull!Olga Norrishttps://www.blogger.com/profile/10554469124546960971noreply@blogger.comtag:blogger.com,1999:blog-17649128.post-1149767219835461982006-06-08T06:46:00.000-05:002006-06-08T06:46:00.000-05:00One wonders if wordy explanations don't spoil the ...One wonders if wordy explanations don't spoil the fun of figuring it out to suit yourself, but how often have we heard "I just don't get it!" Even titles can give a clue or obfuscate further the intent of the abstraction.Karen Jacobshttps://www.blogger.com/profile/01316270072956883280noreply@blogger.comtag:blogger.com,1999:blog-17649128.post-1149760923780532972006-06-08T05:02:00.000-05:002006-06-08T05:02:00.000-05:00So many people seem to be unable to read abstract ...So many people seem to be unable to read abstract paintings, and so I think that any kind of straightforward (i.e. un-bullshitty)expanation is positive. For those who love and get a deal from the work without explanation as I do - further information adds to the experience. So win win all round.Olga Norrishttps://www.blogger.com/profile/10554469124546960971noreply@blogger.com